Unexpected Light: Works By Young-IL Ahn
The first solo exhibition of Young-Il Ahn, a Korean-American artist at LACMA, features 10 large oil paintings from his Water Series, including five new artworks.
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The first solo exhibition of Young-Il Ahn, a Korean-American artist at LACMA, features 10 large oil paintings from his Water Series, including five new artworks.
Chagall: Fantasies for the Stage, the first U.S. exhibition to spotlight the principal role that music and dance played in Marc Chagall’s artistic career, is open to the public in The Los Angeles County Museum of Art.
The Los Angeles County Museum of Art (LACMA) exhibited Abdulnasser Gharem: Pause, marking the first solo presentation by the artist in the U.S.
Krupa Makhija sifts through memories of conflict to document her history. The search for peace has led us to a graveyard wherein lie buried deep the feathers of white pigeons The part of land I had grown on and thrived centuries ago, has been usurped by the Devils for building their idgahs and goshalas The protectors of the forests uprooted the banyan tree and planted its limbs in the flower pots.
Wenda Gu – 36 vanishing gold section pigments Installation view: Exceptional Passage: Chinese Avant-Garde Artists Exhibition, former Kashii Rail Yard, Fukuoka, Japan, August 29–September 30, 1991.
Inspired by Colson Whitehead’s 1999 novel ‘The Intuitionist’ – a work of speculative fiction that explores the relationship between progress, technology, and difference, Drawing Center in 2014 curated an exhibition titled “Intuitionists”.
Alighiero Boetti Alighiero Boetti, Per Sol, Carol, Sofia, Eva LeWitt, Oggi il nono giorno nono mese dell’anno mille novecento ottantotto (For Sol, Carol, Sofia, Eva LeWitt, Today the ninth day of the ninth month of the year nineteen hundred and eighty-eight).LeWitt Collection, Chester, CT.
Roberta Smith wrote in the New York Times obituary of Sari Dienes “As an artist, Mrs. Dienes had an innately experimental approach to materials and techniques and a lasting faith in the power of the found object.
Marginalia: Open Sessions 10 declares our present geo-political and ideological constructs to be permeable and malleable. The artists in this exhibition view borders and barriers as materials through which to build new avenues of both trespass and solidarity.
TITLE: Jackson Mac Low MEDIUM: Ink on paper DIMENSIONS: 6 x 8 inches. YEAR: 1951 COURTESY: Collection of Anne Tardos. New York: