Tayeba, The Queen of Dissent
Tayeba Begum Lipi is stitching during the COVID-19 crisis. It is something she has never done before. She is embroidering breath –
Vinu VV – A Very Very big ‘Ocha’
As an artist, Vinu VV shows so much potential with his installation. It has the finesse of a masterful showman. The strategically placed pillars, the spotlit men in a full embrace, the olan man with the foil takeAway container.
The first retrospective exhibition in France of acclaimed contemporary artist, Subodh Gupta
Subodh Gupta saw the exhibition as a place for meetings and rendez-vous that would trigger discussions, exchanges and debates just like an adda.
Vivan Sundaram – More Than His Legacy
The Vivan Sundaram Retrospective At KNMA Vivan Sundaram has been leading the charge in ensuring his aunt Amrita Sher-Gil gets her rightful place in history as the country’s foremost artist and the one who revolutionised modern Indian art.
A Walk into A. Bala’s Liquid Lake Mountain
Taking up the brush for the first time in over two decades, Alwar Balasubramaniam’s Liquid Lake Mountain expands the classic definition of “fine art”
The Morbid Curiosity of Spaces
Sahil Naik’s first solo at Experimenter Gallery – “Ground Zero: Site as Witness/Architecture as Evidence” employs destruction, abandonment and decay on sites to conjure dead cities.
The School for Objects Criticized
French-born, Uk-raised, and New York-based artist Alexandre Singh’s Art. The world I inhabit is just about waking up to the art of Alexandre Singh.
Calder Hyper Mobility
In the early 1930s, Alexander Calder invented an entirely new mode of art, the mobile – a kinetic form of sculpture in which carefully balanced components manifest their own unique systems of movement.
Mu Boyan, Fatty
Mu Boyan is a master sculptor. In his hands, material melts to life. He dresses them with human skin, blushing cheeks and moulds of oxen fat.
Moholy-Nagy: Future Present
The Los Angeles County Museum of Art (LACMA) presented Moholy-Nagy: Future Present, the first comprehensive retrospective of the pioneering artist and educator László Moholy-Nagy (1895–1946) in the United States in nearly 50 years.
