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Marginalia: Open Sessions 10 declares our present geo-political and ideological constructs to be permeable and malleable. The artists in this exhibition view borders and barriers as materials through which to build new avenues of both trespass and solidarity.
TITLE: Jackson Mac Low MEDIUM: Ink on paper DIMENSIONS: 6 x 8 inches. YEAR: 1951 COURTESY: Collection of Anne Tardos. New York:
Inspired by his previous career in business administration, Berlin-based artist, Ignacio Uriarte, has steadily produced a body of drawings that showcase the aesthetics of the office and its travails.
In 2013, The Drawing Center exhibited an interesting exhibition that explored the relations between drawing and writing as distinct, yet interrelated, gestures.
New York – The Drawing Center presents Dickinson/Walser: Pencil Sketches, bringing together Emily Dickinson’s original poem manuscripts and Robert Walser’s microscripts for the first time in an art museum setting.
Muzzumil Ruheel is a Pakistani artist who speaks vividly through his art about his home, culture, politics and identity. Political art is, in its DNA, courageous art, which questions power and the strictly-dictated ideologies of the few over the many.
In the early 1930s, Alexander Calder invented an entirely new mode of art, the mobile – a kinetic form of sculpture in which carefully balanced components manifest their own unique systems of movement.
The Los Angeles County Museum of Art (LACMA) is placing the spotlight on Sarah Charlesworth: Doubleworld, the artist’s first full-scale museum exhibition in Los Angeles.
Mu Boyan is a master sculptor. In his hands, material melts to life. He dresses them with human skin, blushing cheeks and moulds of oxen fat.
The Los Angeles County Museum of Art (LACMA) presented Moholy-Nagy: Future Present, the first comprehensive retrospective of the pioneering artist and educator László Moholy-Nagy (1895–1946) in the United States in nearly 50 years.
© 2017. Art Satva